All posts by ad1026dd8n

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Toshiyuki Kita : “Exploration of Design 1969- / Why I went to Italy to Design”

(Gakugei Shuppan-Sha Publisher, 2012)

Having lived and experienced almost half a century of Italian design, the author
recollects and puts forth, true meaning of a rich and fruitful life and what
the role of design should be. He also mentions the life after WWII in Japan,
and its sad results of restoration of Japanese living lifestyle now in a essay style book.

book06

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MULTI LINGUAL CHAIR

A chair designed for the Seville Expo ’92 Japanese Pavilion.
The high-tech technology available at that time was used to create an organic form, with the intent of expressing both a futuristic feeling and a sense of intimacy.
This work was consciously designed with the understanding that the Expo is a place to raise suggestions for the near future and to express what modern Japan is about.

アイキャッチ

LCD TV

This television was designed based on the idea of making it, as a household use item, dear to its user’s hearts.

Moving beyond existing LCD televisions of a hard, cold, and inorganic design, expression was incorporated in parts organically connected to the surface and into the details as well.

Kita aimed to create a Japanese original that would become popular worldwide as a new brand item.

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SARUYAMA

The latent animal instinct and playfulness that humans possess is set free in a small space.

These sofas were designed based on the thinking that, even if living environments change, basic human movements such as sitting and lying down remain unchanged.

It’s possible to sit, lie down, find one’s own place, and climb.

These pieces have been named after Saruyama (Monkey Mountain), which they resemble, and are divided into three unchangeable shapes but can be put together to form one large round sofa.